JEROME REYES
Born in 1983 Daly City, CA United States. Lives/works between Seoul, Korea and San Francisco, CA United States
email: jerome.reyes@gmail.com

EDUCATION

2013 Gwangju Biennale International Curator Course, Gwangju Biennale Foundation, Gwangju, Korea (tutor: Maria Lind)
2011 Master of Fine Arts, Art Practice, Dept. of Art and Art History, Stanford University, CA
2005 Bachelor of Fine Arts (Highest Distinction), Individualized Major/Visual Criticism, California College of the Arts, San Francisco,CA

AWARDS/ RESIDENCIES

2023 California Humanities, Humanities for All Project Grant (with Filipino American Development Foundation)
San Francisco Artist Grant, San Francisco Arts Commission
2022 Fellow, Lunder Institute for American Art, Colby College Museum of Art, Summer 2022
James Cary Smith Community Grant Program Award (with South of Market Community Action Network)
San Francisco Artist Grant, San Francisco Arts Commission
California Humanities, Humanities for All Project Grant (with Filipino American Development Foundation)
2021 California Humanities, Humanities for All Project Grant (with Filipino American Development Foundation)
2020 Alternative Exposure Grant, Southern Exposure, San Francisco, CA
2019 Permanent Art Commission, Chan Zuckerberg Initiative, Redwood City, CA
Hanyang University Global Research Fund, Seoul, Korea
Center for Cultural Innovation, Investing in Artists Ally Fund, Los Angeles, CA
Project Grant/Neighborhood Arts Collaborative (with South of Market Community Action Network), Grants for the Arts, San Francisco, CA
2018 Hanyang University Global Research Fund, Seoul, Korea
Zellerbach Family Foundation, Community Arts Program
2017 Public Art Commission, Yerba Buena Center for the Arts, San Francisco, CA
Artist-In-Residence (Teaching), Yerba Buena Center for the Arts, San Francisco, CA
Individual Artist Commission, San Francisco Arts Commission
2016 Artist-In-Residence, Seoul Museum of Art, Korea
Artist-In-Residence Award, Yerba Buena Center for the Arts, San Francisco, CA
Creative Work Fund Award, Visual Arts, Walter and Elise Haas Fund
Researcher, Archive and Research, Asia Culture Center, Gwangju, Korea
Creative Capacity Fund, Center for Cultural Innovation, Los Angeles, CA
2015 Artist-In-Residence, National Museum of Modern and Contemporary Art, Korea
Researcher, Asian Culture Information Agency, Asian Culture Complex, Gwangju, Korea
Arts & Communities: Innovative Partnerships Grant, San Francisco Arts Commission
Creative Capacity Fund, Center for Cultural Innovation, Los Angeles, CA
2014 Arts & Communities: Innovative Partnerships Grant, San Francisco Arts Commission
2013 Art Matters Foundation Grant, New York, NY
Creative Capacity Fund, Center for Cultural Innovation, Los Angeles, CA
Individual Artist Commission, San Francisco Arts Commission
2012 Investing in Artists Grant, Center for Cultural Innovation, Los Angeles, CA
Headlands Center for the Arts, Sausalito, CA (Studio Fellowship, Stanford University)
2011 Joan Mitchell Foundation Painters and Sculptors MFA Award, New York, NY
Headlands Center for the Arts, Sausalito, CA (Studio Fellowship, Stanford University)
2010 Suzanne Baruch Lewis MFA Grant, Stanford University Dept. of Art and Art History
2009 Individual Artist Commission, San Francisco Arts Commission
Project Grant with Manilatown Heritage Foundation, Zellerbach Foundation, San Francisco, CA
Stanford University Dept of Art and Art History, MFA Art Practice Full Scholarship
2007 Artist-in-Residence Grant (with Galeria de la Raza), Walter & Elise Haas Foundation
2006 Artist-In-Residence, DeYoung Museum, San Francisco, CA
Finalist/Alternate, Experimental Media Arts Residency, Stanford University
2005 Highest Distinction (faculty appointed): Individualized Major @ California College of the Arts
2002-05 CCA Merit Scholarships
2002 CCAC All College Honors 1st place Scholarship Award
CCAC President’s Scholarship
2001 California College of the Arts Honors Scholarship

SELECTED SOLO EXHIBITIONS/ PROJECTS

2020 Abeyance (Across Time), 411 Valencia Street, San Francisco, CA
2019 “Pharos (Anonymous)”, Chan Zuckerberg Initiative Building, Redwood City, CA (permanent commission)
2017-2021 “Abeyance (Draves y Robles y Vargas,” Yerba Buena Center for the Arts, San Francisco, CA
2016 “an incomplete caption,” Asian Art Museum, San Francisco, CA
“Nanji’s Queen”, SeMA NANJI/Seoul Museum of Art, Seoul, Korea
2015 “Contact Points: Field Notes towards Freedom,” Asian Cultural Complex, Gwangju, Korea (with tammy ko Robinson) (now converted to permanent archival exhibition)
2013 “GOLD BLOODED,” Queens Nails, San Francisco, CA
2010 “UNTIL TODAY: Spectres for the International Hotel, San Francisco, CA (curated by Julio Cesar Morales, organized by Reyes, Morales, and tammy ko Robinson)

SELECTED GROUP EXHIBITIONS/ PERFORMANCES

2020 “Yokohama Triennale 2020 | Deliberation on Discursive Justice | the Episōdo series” Hong Kong, HK
“Come to Your Census: Who Counts in America,” Yerba Buena Center for the Arts, San Francisco, CA
2019 “Here We Live,” KADIST, SF, CA (co-curated with the Galaxy Museum of Contemporary Art in Chongqing, China, catalogue)
“Blackboard,” Cantor Center for Visual Arts, Stanford University, CA (catalogue)
“Solidarity Struggle Victory,” Southern Exposure, San Francisco, CA (catalogue)
2018 “Way Bay,” Berkeley Art Museum & Pacific Film Archive, UC Berkeley, CA
“Blackboard,” Cantor Center for Visual Arts, Stanford University, CA (catalogue)
“South of Market,” San Francisco City College, San Francisco, CA
2017 “10th Artist-In-Residence Exhibition”, Seoul Museum of Art, Korea
“South of Market,” San Francisco City College, San Francisco, CA
2016 “Declarations for the New Year,” Southern Exposure Gallery, San Francisco, CA
2015 “Beyond the Horizon,” National Museum of Modern and Contemporary Art-Changdong, Seoul, Korea (catalogue)
2014 “Visual Activism,” San Francisco Museum of Modern Art in collaboration with The International Association for Visual Culture. Performance Lecture in collaboration with Nine Yamamoto-Masson & Srinivas Aditya Mopidevi
“Prospect 3. Biennial” New Orleans, LA (collaboration with William Cordova, catalogue)
“The Past is More Infinite Than the Future,” Miami Dade College Gallery, Miami, FL
2013 “THIS IS NOT AMERICA,” Arizona State University Museum, Tempe, AZ
“Occupations: Art Takes Up Space,” Old Oakland, CA
2012 “smoke signals: istwa, paisajes and allegories,” ArtsCenter, Miami, FL (catalogue)
“Mission Afterviews,” Park of Arts Muzeon, Moscow, Russia
“Joan Mitchell Foundation MFA Award Exhibition,” Cue Arts Foundation, New York, NY (catalogue)
“Tell the Truth and Run,” Headlands Center for the Arts, Sausalito, CA
“Mission Afterviews,” Victoria Theater, San Francisco, CA (catalogue)
“API,” TS Union, Stanford University, CA
2011 “Sincerely Yours, Almanac @ BRX” Baer Ridgeway Exhibitions, San Francisco, CA
“On the Ground,” Southern Exposure Gallery, San Francisco, CA (catalogue)
“Scramble,” Stanford University Gallery, Stanford, CA
2010 “Devil-May-Care” Stanford University Gallery, Stanford, CA
2008 “Bay Area Now 5” Yerba Buena Center for the Arts, San Francisco, CA (catalogue)
“Estacion Odesia,” Queens Nails Annex Gallery, San Francisco
2007 “There is Always a Machine Between Us,” SF Camerawork, San Francisco, CA
2006 “60 Seconds Well Spent,” Frankfurter Kunstverein, Frankfurt, Germany (collaboration with Julio Cesar Morales)
“Alimatuan,” The Contemporary Museum, Honolulu, HI (catalogue)
“Remixing My Concerns,” DeYoung Museum, San Francisco, CA
2005 “Powered-UP and Tricked-Out: Chronicles of Communal Poetics,” Galeria de la Raza, San Francisco, CA
“Youth Rock 2/ Laboratory,” Galeria de la Raza, San Francisco, CA
“Recombinant Artware,” Isabel Percy West Gallery, Oakland, CA
“The Reckoning,” SomArts Gallery, San Francisco, CA
“Bacculaureate Show,” Oliver Arts Center, Oakland, CA
2004 “AsiaAlive,” Asian Art Museum, San Francisco, CA
“Carefully Analyzed Crackpotism” Oliver Art Center, Oakland, CA

TEACHING EXPERIENCE/ CURRICULAR AND WORKSHOP DEVELOPMENT

2023 Creative Thesis, working with students from Stanford University
Secondary Reader, Center for Comparative Studies in Race and Ethnicity, Stanford University
Secondary Reader, African & African American Studies, Stanford University
2022 IDA Creative Thesis, working with students from Center for Comparative Studies in Race and Ethnicity & African & African American Studies, Stanford University
IDA Fellowship, working with year-long student artist fellows
Secondary Reader, Center for Comparative Studies in Race and Ethnicity, Stanford University
Creative Advisor, African & African American Studies, Stanford University
2021 IDA Creative Thesis, working with students from Center for Comparative Studies in Race and Ethnicity & African & African American Studies, Stanford University
Directed Research Advisor, 
Center for Comparative Studies in Race and Ethnicity, Stanford University
Creative Advisor,
Center for Comparative Studies in Race and Ethnicity, Stanford University
Creative Advisor, 
African & African American Studies, Stanford University
2020 Directed Research Advisor,Center for Comparative Studies in Race and Ethnicity & Art Dept, Stanford University
Independent Study Advisor,
Art and Art History Dept, Stanford University
2019 Revolutionary Practices, Stanford University
Independent Study Advisor,
Art and Art History Dept, Stanford University
2018 Revolutionary Practices, Stanford University
Independent Study Advisor,
Art and Art History Dept, Stanford University
2017 Lecture/Workshop, Asia Art Archive, Hong Kong. The Performing Archives: Deep Archival Engagement as Artistic Practice, Histories on Edge
Independent Study Advisor,
Art and Art History Dept, Stanford University
Instructor, 
Yerba Buena Center for the Arts, San Francisco
Instructor, 
South of Market Community Action Network, San Francisco
2016 Co-Lecturer, Who We Be (with author/cultural critic Jeff Chang) Center for Comparative Studies in Race and Ethnicity, American Studies, Art Dept, Stanford University
Instructor, 
South of Market Community Action Network, San Francisco
2015 Instructor, South of Market Community Action Network, San Francisco
Workshop Instructor: 
Professional Development, Art Dept. Stanford University
2014 Lecturer, WHAT WE WANT IS WE: Identity in Visual Arts, Social Engagement, and Civic Propositions, Center for Comparative Studies in Race and Ethnicity & Art Dept, Stanford University
Directed Research Advisor, Center for Comparative Studies in Race and Ethnicity & Art Dept, Stanford University
Instructor, South of Market Community Action Network, San Francisco
2013 Workshop Instructor: Professional Development, Art Dept. Stanford University
2012 Artist Mentor, Southern Exposure Gallery, San Francisco, CA
Video Workshop Instructor:San Francisco Art Institute
2011 Teaching Assistant, Painting 2, Art Dept. Stanford University
Teaching Assistant, Collage, Art Dept. Stanford University
2010 Instructor: Contemporary Art Practices: Public Art, Territories, and the Politics of Food, Stanford University
Teaching Assistant, Painting/Drawing, Art Dept. Stanford University
Teaching Assistant, Art and Electronics, Art Dept. Stanford University
Teaching Assistant, Kinetic Sculpture, Stanford University
Teaching Assistant, Digital Photography, Stanford University
2009 Faculty: To Gentrify Heaven: International Hotel and the Unhomely, San Francisco Art Institute
Artist-In-Residence Instructor: REC: Recording Every Corner/ Found Borders, Studio 24
Fall Artist-In-Residence Instructor: REC: Recording Every Corner/ Found Borders, Studio 24
Workshop Faculty: Installation Portfolio Workshop, San Francisco Art Institute
Teaching Assistant, Introduction to Photography, Stanford University
Visiting Artist Workshop, Comic Book Drawing, Art Dept., Stanford University
2008 Artist-In-Residence Instructor: Science-Fiction and the Danger Room, Studio 24
Summer Artist-In-Residence Instructor: Anti-Heroes, Studio 24
Artist-In-Residence Instructor: Archivists, Proposals, and the Anti-Hero, Studio 24
Workshop Instructor, ZEUM Museum, San Francisco
2007 Faculty: To Gentrify Heaven: Defining Home through Gaming History and the Urban Enterprise, San Francisco Art Institute
Faculty: To Gentrify Heaven 2: Beginning Public Interface Design, San Francisco Art Institute
Faculty: Installation: Tactics of Contemporary Practice, San Francisco Art Institute
Assistant Teacher (Faculty: Okwui Enwezor): Grand Tour 2007: Documenta XII, Venice Biennale, Art Basel, Munster Sculpture Projects Study Trip, San Francisco Art Institute/Various locations in Europe
Artist-In-Residence Instructor: REC: Recording Every Corner/ Found Borders, Studio 24
2006 Faculty: Scripting and Scanning the Everyday Narrative: Digital Identities, Surveillant Eyes, City Studio, San Francisco Art Institute
Faculty: Pop and Unlock: Strategies for Designing Proposal Encounters and Collaborations, City Studio, San Francisco Art Institute
Video Artist-In-Residence Instructor: M. H. deYoung Museum, San Francisco
Video Workshop Instructor: Galeria de la Raza
2005 Faculty/Project Leader: Powered-Up and Tricked-Out: Chronicles of Communal Poetics, City Studio, San Francisco Art Institute
Video Workshop:
With Raqs Media Collective for City Studio
Instructor,
Youth Public Media Teaching Project at California College of the Arts, The Youth Speaks Living Word Project, and Galeria de la Raza (Drawing/Video)
2002-03 Curriculum Designer and Assistant Instructor: Contemporary Filipino American Art History, University of San Francisco
2002 Teaching Assistant: San Francisco State University: Filipinos in America: Problems of Transition

LECTURES & PRESENTATIONS/ ACTIVITIES

2023 Curatorial Advisor, Dreaming People’s History: The Asian American Radical Imagination, San Francisco Public Library, Curated by Colin Choy Kimzey
2022 Workshop (with South of Market Community Action Network), 40th Filipino American National Historical Conference, Seattle, WA
2021 Conversation, Jerome Reyes with Jessamine Batario: New Social Environment, Brooklyn Rail https://brooklynrail.org/events/2021/06/28/jerome-reyes-with-jessamine-batario/
Artist Lecture,
Cultural Studies, University of California, Davis
Curatorial Advisor, kalayaan (till every grass blade is afire from every other), Kearny Street Workshop, Curated by Colin Choy Kimzey 
2020 Visiting Lecture, UC Berkeley, College of Ethnic Studies
2019 Curator, Graduate Fellowship Exhibition, Headlands Center for the Arts, Sausalito, CA
Exhibition Talk, Here We Live, KADIST
Working Group, MIX at SFMOMA
Working Group, San Francisco Arts Commission/Grants for the Arts
Visiting Lecture, 
UC Berkeley, College of Ethnic Studies
Lecture, Asian American Art History, Stanford University
Exhibition Talk, “Solidarity Struggle Victory,” Southern Exposure, San Francisco, CA
2018 Conversation, Jose Antonio Vargas in conversation with Jerome Reyes, Yerba Buena Center for the Arts
https://www.youtube.com/watch?v=HVo3UswULnY&feature=youtu.be
Deep Cuts, 
Public Lecture Series, SFMOMA, February 2018
Workshop Presenter, un/commons workshop at Donuimun Museum Village, Seoul, Korea
Visiting Critic, RAT School of ART in Seoul, Korea
Juror, Headlands Center for the Arts, Sausalito, CA
Conference Participant, Raising Places National Convening, supported by the Robert Wood Johnson Foundation, Chicago, IL
Visiting Lecture, UC Berkeley, College of Ethnic Studies
Design Team Member, 
Raising Places with SOMCAN, supported by the Robert Wood Johnson Foundation, Chicago, IL https://www.raisingplaces.org/south-of-market-soma
2017 Design Team Member, Raising Places with SOMCAN, supported by the Robert Wood Johnson Foundation, Chicago, IL https://www.raisingplaces.org/south-of-market-soma
Juror,
 
Arts & Communities: Innovative Partnerships Grant, San Francisco Arts Commission
2016 Opening Lecture/Panel Moderator, Contact Points: Archiving Rights to Housing and Sunshine in Asia, Asia and Migration International Symposia, Asia Culture Center, Gwangju, Korea
Study Group Participant/ Breaking it Down, Study group series hosted by Surfatial, Anchored by Srinivas Aditya Mopidevi, India
Juror, Joan Mitchell Foundation, New York, NY
Opening Lecture,
 Emergence 2016: Crafting Equity, Shifting Power, Contemporary Jewish Museum, San Francisco, CA
Graduate Speaker Series (Forum), Graduate Program in Visual and Critical Studies, California College of the Arts, San Francisco, CA
Juror, Public Art, San Francisco Arts Commission
Curator, 
Who We Be, Cantor Center for Visual Arts, Stanford University, CA
Public Lecture Who We Be, (with Jeff Chang), Cantor Center for Visual Arts, Stanford University, CA
Artist Lecture, University of California, Davis
Visiting Artist Lecture
, Border Studies, Architecture/Diversity Studies, California College of the Arts, San Francisco, CA
Artist Lecture, Senior Seminar, Asian American Studies, University of California, Davis
2015 Panelist, Social Justice and Socially Engaged Art, Open Engagement Conference, Mattress Factory/Carnegie Mellon University, PA
Visiting Artist Lecture, Dongduk Women’s University, Seoul, Korea
Juror, Public Art, San Francisco Arts Commission
Artist Lecture, Public Art and Urban Space, Stanford University
Gwangju Biennale Foundation, Curatorial Alumni Workshop
2014 Performance Lecture (Invited), Performing Protest/Re-Imagining the Good Life in Times of Crisis Conference, Leuven University, Belgium. Collaboration with Nine Yamamoto-Masson & Srinivas Aditya Mopidevi
Visiting Artist Lecture
, Social Practice Program, Otis College of Art and Design, Los Angeles, CA
Visiting Artist Lecture, Border Studies, Architecture/Diversity Studies, California College of the Arts, San Francisco, CA
2013 Juror, Yerba Buena Center for the Arts, 2013 Artist-in-Residence
Lecture, Cultural Studies, UC Davis
2012 Organizer, Conversation between Jerome Reyes and William Cordova, Yerba Buena Center for the Arts
Presenter,
Listen to the Silence Conference, Stanford University, CA
Artist Lecture, University of California, Davis
Artist Lecture, New Genres 1, San Francisco Art Institute
2011 Visiting Artist Lecture, School of Visual Arts, New York, NY
Juror, San Francisco Arts Commission
Artist Panel:
 
Radical Art Education, Southern Exposure Gallery
Artist Lecture, Graduate Fine Arts, Sensory Architecture, San Francisco Art Institute
Artist Lecture & Interview, Alternative Radio, San Francisco Art Institute
Artist Lecture, New Genres 1, San Francisco Art Institute
Artist Lecture, Asian American Studies Program, Stanford University
2010 Artist Talk: Jerome Reyes at the International Hotel
Artist Talk, Apex Radio, KPFA 94.1 Radio
Organizer: Suzanne Lacy Last Nights Presentation at the International Hotel
Organizer/co-producer: Karen Tei-Yamashita theatrical reading for LAST NIGHTS/ I-Hotel Exhibition
Discussion Panel Moderator: Speculative Fiction/ Alternate Hotels: Chester Hartman Ph.D., Estella Habal Ph.d. Emil de Guzman, Hilton Obenzinger Ph.D.
Visiting Artist Lecture, Asian American Community, Comparative Literature, Stanford University
Visiting Artist Lecture, Comparative Literature: International Hotel, Stanford University
Visiting Artist Lecture, Comparative Literature “Worlds Apart,” Stanford University
Artist Lecture, Digital Photography, Stanford University
Guest Speaker, KPFA Radio Program
Artist Lecture, Art and Electronics Art Dept. Stanford University
Artist Lecture, Kinetic Sculpture Art Dept. Stanford University
Artist Lecture, Autonomous Design Lab, San Francisco Art Institute City Studio
Artist Lecture, New Genres 1, San Francisco Art Institute
2009 Discussion Panel: Speculative Fiction/ Contradictory Narratives (with Weston Teruya, Jina Valentine, Jerome Reyes, Gail Wight, Arnold Kemp), Patricia Sweetow Gallery
Faculty Lecture, Interdisciplinary Studies, City as Studio Practicum Seminar, San Francisco Art Institute
Public Lecture, Graduate Art Practice Studio Lecture Series, Stanford University
Visiting Artist Lecture, (Faculty: Raul Cardenas Osuna/ Torolab) City Studio, San Francisco Art Institute
Visiting Artist Lecture, Photo 1, Art Dept., Stanford University
Curator, OeMeG, ZEUM Museum
2008 Researcher/Project Coordinator, City Studio at San Francisco Art Institute/research for 2008 Gwangju Biennale, Artists and Curator visits (sixty total) in Manila, Philippines
Critique Panel/Guest Instructor: Public Monuments, San Francisco Art Institute (taught by Julio Morales)
Panelist: “Community Conversations” “Bay Area Now 5,” Yerba Buena Center for the Arts, San Francisco, CA
Docent Tour: “Bay Area Now 5,” Yerba Buena Center for the Arts, San Francisco, CA
Archivist/Researcher, 40th Anniversary of 1968 Student Strike, San Francisco State University
Archivist/Researcher, Preparation for 40th Anniversary of 1969 College of Ethnic Studies, San Francisco State University
Archivist/Researcher, Freedom Archives at Galeria De la Raza
Curator, Fantality, ZEUM Museum
Production Staff, Yerba Buena Garden Festival, San Francisco
Visiting Artist Lecture, Introduction to New Genres, SFAI
Visiting Artist Lecture, City Studio Practicum, Urban Studies, SFAI
Panelist, Bay Area Now 5/ “What is regionalism,” Headlands Center for the Arts
2007 Panelist: Archiving Community in Contemporary Art Practice: Yerba Buena Center for the Arts
Visiting Artist Lecture, Graduate Critical Studies, San Francisco Art Institute
Exhibition Assistant/Sous Chef, “Tony Labat/BULK,” QueensNailsAnnex Gallery, San Francisco, CA
Visiting Artist Lecture, New Genres: Hidden Noise, San Francisco Art Institute
Visiting Artist Lecture, New Genres II, San Francisco Art Institute
2006 Juror, Murphy & Cadogan Graduate Art Scholarships, San Francisco Foundation
Co-Curator, Immediate Futures, San Francisco Arts Commission Gallery
Visiting Artist Lecture, Advanced Digital Art II, Graduate Dept. Art Practice, Stanford University
Artist’s Talk, Alimatuan Exhibition, The Contemporary Museum
Internship Study/Thesis Advisor, Bennington College, Bennington, VT
Co-Curator, Encounters: YPM’s Greatest Hits, Galeria de La Raza
Visiting Artist Lecture, Accidental Audiences & Community Engagement, Intersection for the Arts Gallery
Visiting Artist Lecture, Graduate Art Tutorial, SFAI
Visiting Artist Lecture, Introduction to New Genres, SFAI
Visiting Artist Lecture, Graduate Art Seminar: Self-Sustaining Communities, San Francisco Art Institute
Visiting Artist Lecture, From Theory to Practice: Site and Strategies in Art Education, Teacher Professional Development Program, San Francisco Art Institute
Visiting Artist Lecture, Youth Public Media, New Genres Undergraduate Studio Class, San Francisco Art Institute
2005 Visiting Artist Lecture, Alternative Sites & Strategies, San Francisco Art Institute
Visiting Artist Lecture, Photography: Superfly Wallpaper, San Francisco Art Institute
Guest Speaker, 94.1 KPFA Berkeley, CA Radio: Youth Rock 2: Laboratory Exhibition
Visiting Artist Lecture, Youth Public Media, San Francisco Art Institute
Visiting Artist Lecture,Introduction to Visual Studies, California College of the Arts
2004 Curriculum Design: Filipino American Aesthetics, University of San Francisco
2002-2003 Project Head Coordinator/Archivist, Filipino American Art History Website
Project Coordinator: Asian American Studies Dept, San Francisco State University

PERIODICALS/ CATALOGUE ESSAYS

2023 Bishara, Hakim. “Duets,” The Back Room. Small Press Traffic. October 24, 2023. https://www.smallpresstraffic.org/the-back-room-article/duets
2021 Documentary, Abeyance (Draves y Robles y Vargas) https://www.youtube.com/watch?v=v1NqDac3tIw
2021 Wy, Danielle. “Haters Need Not Apply: The collective network Stop Discrimination aims to end a long legacy of racism in the art world,” Artnews, Dec/Jan 2021-2022, 90-93. https://www.artnews.com/art-news/news/stop-discriminasian-profile-1234613909/
2021 Johnson, Mark Dean, Lagaso Goldberg, Trisha. “Roots, Rituals, Actions: Worlds in Collision,” Carlos Villa: Worlds in Collision. University of California Press, 22.
2021 Palumbo-Liu, D. Speaking Out of Place: Getting Our Political Voices Back. Haymarket Books.
2021 Jerome Reyes with Jessamine Batario: New Social Environment #329. Brooklyn Rail. June 28, 2021. https://www.youtube.com/watch?v=aCHHEzMA7ng
2021 Tani, Ellen Yoshi. “Un-Disciplining the Archive: Jerome Reyes and Maia Cruz Palileo,” Panorama: Journal of the Association of Historians of American Art 7, no. 1 (Spring 2021), https://doi.org/10.24926/24716839.11606. https://editions.lib.umn.edu/panorama/article/asian-american-art/un-disciplining-the-archive-jerome-reyes-and-maia-cruz-palileo/
2021 Kwon, Marci. Introduction to “Asian American Art, Pasts and Futures,” Panorama: Journal of the Association of Historians of American Art 7, no. 1 (Spring 2021), https://doi.org/10.24926/24716839.11446. https://editions.lib.umn.edu/panorama/article/asian-american-art/
2020 Van Straaten, Nicola. “Deliberation and Discursive Terrain, In Conversation with Kabelo Malatsie,” contemporaryand.com. April 14, 2020. https://www.contemporaryand.com/magazines/deliberation-and-discursive-terrain/
2020 Reyes, Carola Isabel. Reyes, Jerome. Strickland, Martin. “A World of Many Fires: the Decade Known as 2020,” ybca.com. https://ybca.org/jerome-reyes-a-world-of-many-fires-the-decade-known-as-2020/
2019 Art21 Magazine. “Reading at the Edge of the World: The Horizon Toward Which We Move” (Part 2) Conversation with with PJ Gubatina Policarpio. http://magazine.art21.org/2019/10/09/reading-at-the-edge-of-the-world-part-ii
2019 Art21 Magazine. “Reading at the Edge of the World: The Horizon Toward Which We Move” (Part 1) Conversation with with PJ Gubatina Policarpio. http://magazine.art21.org/2019/10/04/reading-at-the-edge-of-the-world-part-1/
2019 Documentary “Here We Live,” KADIST, SF, CA https://vimeo.com/326931807
2019 Exhibition Catalogue, “Here We Live,” KADIST, SF, CA Here We Live, Exhibition Brochure
2019 Seikaly, Roula. “When Students Went on Strike to Overturn a Eurocentric Curriculum,” Hyperallergic. https://hyperallergic.com/521327/solidarity-struggle-victory-at-southern-exposure/
2019 Policarpio, PJ. “Solidarity Struggle Victory,” Southern Exposure, San Francisco, CA (Catalog Essay)
2019 Beltran, JD. “Solidarity, Struggle, Victory,” Visual Art Source. http://www.visualartsource.com/index.php?page=editorial&pcID=17&aID=5393
2019 Wilson, Emily. “Celebrating 50 groundbreaking years of Ethnic Studies with ‘Solidarity,'”48 Hills. https://48hills.org/2019/10/sfsu-soex-ethnic-studies/
2019 Phillips, Frances. “Jerome Reyes On View, In Print, and On Video,” Creative Work Fund News. https://creativeworkfund.org/news/jerome-reyes-on-view-in-print-and-on-video
2019 Calderon, Caroline Dungao. “SOMA Pilipinas Is in the Heart: Examining Cultural Districts as Tools for Resistance and Transformation,” UCLA Electronic Theses and Dissertations. https://core.ac.uk/reader/224403434
2018 Lerman-Tan, Yinshi. “Between Ocean and Sky: Jerome Reyes’s Abeyance (Draves y Robles y Vargas)” Art Practical Feature Review, https://www.artpractical.com/column/between-ocean-and-sky-jerome-reyes-abeyance-draves-y-robles-y-vargas/
2018 Lerman-Tan, Yinshi. “Blackboard,” Cantor Center for Visual Arts, Stanford University, CA (Catalog Essay)
2018 Conclara, Rommel. “Artist Honors Influential Filipinos in downtown San Francisco Billboard” Balitang America Media. Dec 5, 2018. https://balitangamerica.tv/artist-honors-influential-filipinos-on-downtown-san-francisco-billboard/
2018 Bolin, Melissa A. At The Break. https://www.atthebreak.com/atb-take/2018/12/29/jose-antonio-vargas-event-hosted-by-ybca-amp-jerome-reyes
2018 Cantor-Aye, Sara. “Action Lab in SoMa” https://www.raisingplaces.org/the-latest/soma-action-lab
2018 Ali Merchant, Kareeshma. “How the Voices of Children and Youth Amplify Youth Development”
www.raisingplaces.org/the-latest/how-the-voices-of-children-and-youth-amplify-community-development
2017 Rabine, Leslie. “Interview with Jerome Reyes, Part 1” Kapitbahay Times, San Francisco, CA https://www.somcan.org/jerome-reyes-interview-1
2017 Rabine, Leslie. “Interview with Jerome Reyes, Part 2” Kapitbahay Times, San Francisco, CA https://www.somcan.org/interview-i-with-jerome-reyes-2
2017 Maunder, Tess. “The Future of Curating: An Exercise in Speculation,” Cloud Chamber by Verina Gfader, 21-24.
2017 Conclara, Rommel. “Art collaborations exhibit Filipino History and Culture in SOMA San Francisco” Balitang America Media. Dec 10, 2017. https://balitangamerica.tv/sf-art-collaborations-exhibit-filipino-history-and-culture-in-soma-san-francisco/
2016 Sming, Vivian. “Studio Session: Jerome Reyes,” Daily Serving International Review,
https://www.dailyserving.com/2016/09/studio-session-jerome-reyes/
2016 Sming, Vivian. “Studio Session: Jerome Reyes,” Art Practical
http://www.artpractical.com/column/studio-sessions-jerome-reyes/
2016 Artist-in-Residence Catalog 2016, Seoul Museum of Art, Korea
2016 Artist-in-Residence Catalog 2015, National Museum of Modern and Contemporary Art, Korea
2016, Wilkerson, Emily. “William Cordova: Change is Everything,” Art Papers.
http://www.artpapers.org/feature_articles/2016_0506-WilliamCordova.html
2016, Zack, Jessica. Cantor Arts Center show explores ‘Who We Be,’ San Francisco Chronicle.
http://www.sfgate.com/art/article/Cantor-Arts-Center-show-explores-Who-We-Be-7455819.php#photo-9957269
2016, Salem, Avi. “If these walls could talk,” Palo Alto Online.
http://www.paloaltoonline.com/news/2016/04/07/if-these-walls-could-talk
2016 Conclara, Rommel. “New Projects,” Balitang America Media. Oct 12, 2016.
http://www.balitangamerica.tv/new-art-projects-showcase-fil-am-identity-in-sf/
2016, Xiao, Madelyne. “Disembodying the Body,” Stanford Arts Review. http://stanfordartsreview.com/disembodying-the-body/
2016, Wilson, Emily, “This Year’s YBCA 100 Summit Breaks Boundaries,” SF Weekly. Nov 4 2016 http://www.sfweekly.com/culture/years-ybca-100-summit-breaks-boundaries/
2016, Arts Winners, San Francisco Examiner. Oct 25.
2015 Artist-in-Residence at MMCA, National Museum of Modern and Contemporary Art, Korea
2014, Cordova, William. “Nicolas Guillen Landrian,” Art in America, Oct, 48-49.
2014. Martinez, Sergio. “The ASU Museum Opens for Spring,” The State Press
http://www.statepress.com/2014/02/16/the-asu-art-museum-opens-for-spring/
2014, Chen, Tina. “Agency/Asiancy,” The Routledge Companion to Asian American and Pacific Islander Literature, Routledge Press, 56-67.
2014, Oishi, Eve. “I-Hotel,” The Routledge Companion to Asian American and Pacific Islander Literature, Routledge Press, 132-143.
2013, Tani, Ellen. DailyServing International Review.
http://dailyserving.com/2013/07/queens-nails-is-dead-at-queens-nails-projects/
2013, Gerrity, Jeanne. GOLD BLOODED Exhibition Essay. PDF
2013, Harbour, Aaron and Im, Jackie. 9th Floor Radio Interview.
2012, Moreno, Gene. “Smoke Signals,” Catalog Essay.
2012, Estefan, Kareem. Joan Mitchell Foundation 2012 MFA Exhibition Catalog.
2011, Palumbo-Liu, D. “Embedded Lives: The House of Fiction, the House of History,” Profession (Modern Language Association Journal)
2011, Gavino, J. Hom, N. Poethig, J. “Visions and Voices of the I-Hotel: Urban Struggles Community Mythologies and Creativity,” Community Arts Journal, Maryland Institute College of Art.
https://www.mica.edu/research/center-for-art-education/community-arts-journal/visions-and-voices-of-the-i-hotel/
2011, Beltran, J.D. “Artists who won’t have to scramble,” SFGate.com
http://www.sfgate.com/cgi-bin/blogs/beltran/detail?entry_id=90824
2011, http://missionlocal.org/2011/03/exposicion-on-the-ground-soex/
2011, Teruya, Weston. On the Ground Catalog Essay
2011, Tani, Ellen, (Four-Platform International Hotel Project Conversation with Jerome Reyes and David Palumbo-Liu) Stanford Thesis Exhibition Catalog PDF
2011, Filipinos in San Francisco. Filipino American National Historical Society, Arcadia Publishing, 82.
2010  Carlson, Michele, “Jerome Reyes: Until Today” Art in America,
http://www.artinamericamagazine.com/reviews/jerome-reyes
2010, Swanhuyser Hiya, “Society v. Economy UNTIL TODAY” SF Weekly,
http://www.sfweekly.com/2010-09-29/calendar/society-vs-economy/
2010, Palumbo-Liu, David. “Faculty Profile” Stanford University Haas Center Newsletter
2010, Stanford Art Dept Almanac 2009-2010
2010, Wiles, Christy, Art Practical Shotgun Review http://www.artpractical.com/review/until_today_spectres_for_the_international_hotel/
2010, Lozada, Roldan, Hyphen Blog
http://apexexpress.wordpress.com/2010/11/25/112510-a-special-no-thanks-holiday-with-art-at-the-i-hotel-and-immigrant-stories-from-crossing-east/
2010, Gerrity, Jeanne, Art Practical/KQED Review
http://www.kqed.org/arts/programs/artpractical/episode.jsp?essid=36051
2006 “Alimatuan,” Tema Celeste Magazine, issue 115
2006  Jana, Reena, “Post Filipino-American,” Alimatuan: The Emerging Artist as American Filipino, The Contemporary Museum, Honolulu, HI
2006  Baysa, Koan Jeff, “Cultural Sampling,” Alimatuan: The Emerging Artist as American Filipino, The Contemporary Museum, Honolulu, HI
2006  “The Soul of the Spirit,” Honolulu Star Bulletin, May 28
2006  Morse, Marcia, “’Alimatuan’ at the Contemporary Museum,” Artweek October

PUBLICATIONS (Author)

2024 “Starling Leader, Endless Galaxy,” Ala Ebtekar solo exhibition. The Third Line, Dubai, UAE. (forthcoming)
2023 ONWARD the horizon toward which we move always recedes before us. Self-Published.
2022 Reclaiming Our Space–Centering Social Equity in Art and Design. Edited by Angelica Cabande, Lian Ladia, Jerome Reyes, Dyan Ruiz, and David Woo. Published by South of Market Community Action Network.
2021 “No Matter Where We Move, We Look at the Same Moon A Half Century Between the Pacific and Stars,” Public Space/Contested Space Imagination and Occupation. Edited by Kevin D. Murphy and Sally O’Driscoll. February 16, 2021. Routledge https://www.routledge.com/Public-SpaceContested-Space-Imagination-and-Occupation/Murphy-ODriscoll/p/book/9780367558116
2020 “Cooperative Endeavor: Dan Gonzales and Mary Valledor in Conversation with Jerome Reyes ,” SFMOMA Open Space Magazine. https://openspace.sfmoma.org/2020/10/cooperative-endeavor-daniel-phil-gonzales-and-mary-valledor-in-conversation-with-jerome-reyes/
2020 “Now Arriving,” Erina Alejo. A Hxrstory of Renting. Clamshell Press.
2018 “Safina,” Ala Ebtekar solo exhibition. The Third Line, Dubai, UAE. November 12-December 27, 2018.
2016 “Amid the Fog, Smoke, and Dust,” co-written with Nine Yamamoto-Masson & Srinivas Aditya Mopidevi. Journal for Visual Culture.

PROFESSIONAL EXPERIENCE

2019-current

Advisory Board Member, Define American

-Advises founder Pulitzer Prize journalist Jose Antonio Vargas and senior staff on national level press, language, and fellowship structure internally and with outside institutions, funding bodies.
-Advises on artistic fellowships and infrastructural/pedagogical design for Define American, a narrative and culture change organization that uses media and the power of storytelling to transcend politics and shift the conversation about immigrants, identity, and citizenship in a changing America. Juries internal trainings for awarded fellows.

2016-current

Artist in Residence/Researcher, Art, Social Space and Public Discourse Initiative currently at Stanford University

-Manages and works closely with founder and Director, Artist Ala Ebtekar to conceptualize long-term programmatic vision by shaping Initiative of conferences, visiting artists, curators, scholars, and various sized institutions/museums (national and international) to Stanford University
-Researches, conducts correspondence, and select visiting artists for graduate/ undergraduate courses throughout school year.
-Teaches course themes that include: arts foundations, public art infrastructure, race and ethnicity in public culture, socially engaged artworks, artists in the public realm, community arts practices and legacies
-works closely with students on longer term identity based projects (mostly POC), Stanford capstone, and external internship opportunities across the United States.
-proposes courses, programs, new collaborations compliant to university guidelines and protocols
-Plan & publicized accessible events, support 2016 Conference and Stanford Art Dept. Gallery exhibition, 2019/2020 Slavs and Tatars artist residency, in-course speakers

2012-2023

Institute for Diversity in the Arts, Stanford University

As Program Coordinator (starting 2021):

-leads Creative Honors Thesis with Center for Comparative Studies in Race and Ethnicity & African & African American Studies majors. Instructing upper division artistic work, scholarly research, critical statement, professional development, symposia presentation. Tutorials both group and one-on-one compliant to university guidelines and protocols
-Counsels students on careers in arts, humanities, and as arts professionals
-plans development and fundraising strategies with Director

Previously as Artist Liaison & Lecturer:

-Teaches undergraduate courses, workshops, and CSRE directed study units for themes that include: arts foundations, professional development, race and ethnicity in contemporary art, socially engaged artworks, artists in the public realm, community arts practices and legacies.
-Counsels students on careers in arts, humanities, and as arts professionals
-Researches, serves as external contact, and advises IDA to select student, alumni and visiting artists for graduate/ undergraduate student programming, and courses throughout school year.
-plans development and fundraising strategies with Director
-proposes courses, programs, new collaborations compliant to university guidelines and protocols
-2014 IDA course instructor: What We Want is We: Identity across Contemporary Art, Social Engagement, and Civic Propositions. This ten-week art studio practicum examines contemporary culture through case studies on visual art, race theory, urban studies, and resistance legacies. Organized visiting New York guest artists Leslie Hewitt and Mary Valverde; organized professional grants panel as final requirement with real world jurors

2015-2016

Lecturer, Exhibition Curator, Organizer:
Who We Be: Art, Images & Race In Post-Civil Rights America, Stanford University

IDA’s annual Spring Class around the arts and social justice
Co-author of multi-platform project focused on writer Jeff Chang’s manuscript, Who We Be: The Colorization of America. This course examines visual culture—particularly images, works, and ideas in the contemporary arts, justice movements, and popular culture from the Watts uprising to #BlackLivesMatter, from multiculturalism through hip-hop to the successes and frustrations of “post-identity” art. Course asks “How do Americans see race now? Do we see each other any more clearly than before?”
-Graded Graduate and Undergraduate Students from Art History, Film, Center for Studies in Race and Ethnicity, among others (more than 70 total), advised on thesis level projects.
-Designed public events with Chang more than 20 guests including: Carrie Mae Weems, Rick Lowe, Anne Pasternak, Marc Bamuthi Joseph, Favianna Rodriguez, Amalia Mesa-Bains, Roberta Uno, Marcos Ramirez ERRE, Damon Davis, Liz Medicine Crow, and more.
-Curated parallel exhibition at Cantor Center for Visual Arts, coordinating works by Daniel Joseph Martinez, Coco Fusco, William Cordova, Carrie Mae Weems, Lorna Simpson, Yong Soon Min, Byron Kim, in tandem with Cantor Permanent Collection and Chang’s personal archives.

2014-current

Researcher, Asia Culture Center, Gwangju, Korea

Invited Researcher for new state-funded initiative in Gwangju, Korea dedicated to Asian art and culture. Co-developing a collection of migrant & activist related materials spanning United States and several countries across Asia.
-Organized and located artifacts of some of the oldest Asian American arts and cultural organizations in the United States such as Kearny Street Workshop and Asian American Studies at San Francisco State University; unprecedented intergenerational and interethnic solidarities coalesced around the Third World Strike and I-Hotel anti-eviction movement; and correspondences across the Pacific dating from 1968 to the present day between Chicago, Manila, Bangkok, Gwangju, San Francisco, Los Angeles, Taipei, and Seoul.
-Administer, support, and manage program budgets funded by Republic of Korea (maximum 50,000 USD range per ongoing contract)

2006-current

Co-Director, Contact Points: Field Notes Towards Freedom (with tammy ko Robinson)

Co-Administer, support, and co-managed sections of $300,000+ budget total from National Endowment for the Arts, Surdna Foundation, San Francisco Foundation, Zellerbach Fund, Stanford University, and San Francisco Arts Commission (Individual Artist Grant and Creative Space Grants).
-Co-Editor & Essayist, I Hotel Contact Points: Exchanges on Urbanism, Spectacular Fictions, and Contemporary Art (forthcoming publication, includes text by Hou Hanru, Nato Thompson, David Palumbo-Liu, Karen Tei Yamashita, Chester Hartman, and others)
-Designed and coordinated exhibition, classes, publication, and weekly public events.
-Designed interface for cross-institution courses (Stanford University Dept. of Comparative Literature, San Francisco Art Institute, San Francisco Unified School District), MYEEP, K-12 tours, and concurrent senior citizen services.
-Designed courses with VTS/Visual Thinking Strategies and ISTE California tech requirements.
-Scheduled weekly events, public workshops, and travel arrangements with artists Suzanne Lacy, Julio Morales, Marco Rios and urbanist Chester Hartman.
-Acted as primary liaison between all collaborators, press, and institutions.
-Outreach & gave more than 50 tours and artist walkthroughs/tours to schools, curators, funders, various groups and individuals.

2012-current

Artist in Residence, South of Market Community Action Network, San Francisco

-Grantwriter, administer, support, and co-manage awarded program budgets funded by Creative Work Fund, Walter and Elise Haas Foundation, California Humanities, San Francisco Arts Commission, Zellerbach Family Fund, Neighborhood Arts Collaborative/Grants for the Arts, James Cary Smith Community Grant Program
Identify and collect key metrics on successful programs and artist collaborations over several years working relationship with organization
-Works with staff to form curricula and arts workshops focused on public art, social justice, urban studies, Asian American and Ethnic Studies, and youth/leadership development.
-Art projects include audio tours, printmaking/bags, buttons, signs, public text, video
-Manages arts project related grants, reports, invoices, purchases
-Manages daily workshops, food purchases, field trips, interaction with families if needed
-Advises and directly works on grant writing for larger scale arts funding, provides informal college counseling and application support, and organizes/shoot media documentation
-Liaison with various institutional, civic, and funding groups, including the City College of San Francisco, Stanford University, and San Francisco Arts Commission, among others.
-Design team member of Raising Places, a child-centered Design Project supported by the Robert Wood Johnson Foundation (representative of San Francisco in Chicago National Convening). Special focus on pedestrian safety, public lighting, beautification, and cultural heritage

2005-2010

Founding Faculty, City Studio, San Francisco Art Institute

-Developed nationally and UNESCO recognized curricula (10-week semesters) in youth media labs, museums, major universities, non-profit art galleries, and at-risk-youth and senior citizen community centers in East Oakland, Iron Triangle in Richmond, and Chinatown/ Manilatown San Francisco. Topics include urban studies, mega-exhibitions, installation, video production, video game theory, proposal-based works, and project-centric contemporary art practices.

-With core faculty and directors, helped design and manage overall arts and research interface combining graduate, undergraduate, Bay Area high school students, and visiting international artists/scholars. Designed workshops and classes with artists/curators-in-residence including Raqs Media Collective, Sarkis, Torolab, founders of the nation’s first College of Ethnic Studies at San Francisco State, and Black Panther Party Alumni.

-Coordinated exhibitions, public talks, and presented in Teacher Professional Development Program.

-Develop and coordinate teaching assistant criteria for all courses-support and feedback.

-Designed credited high school courses (Alameda School District and SFUSD) in tandem with VTS/Visual Thinking Strategies and ISTE California technology requirements.

-Co-organized student enrollment/recruitment in San Francisco and Alameda County school districts.

2005-2009

Youth Public Media/Lead Artist Faculty, Studio 24/California College of the Arts, San Francisco, CA

– With core faculty and directors: coordinated exhibitions at Zeum, public events/ talks, and teacher/student studio art workshops for public at Studio 24.

-Acted as primary liaison between Studio 24 and other organizations

-Designed high school level courses on video production, graphic design, comic book culture, science-fiction, and visual studies in tandem with VTS/Visual Thinking Strategies and ISTE California technology requirements.

-Worked with Youth Speaks Inc., Leadership High School, East Oakland High School for the Arts to recruit students.

2007-2008

Researcher, 7th Gwangju Biennale, Gwangju, South Korea

-Researched contemporary artists, spaces, and curators

-Developed lesson plans for SFAI City Studio.

2007

City Studio Liaison, Assistant Teacher for The Grand Tour 2007 Venice, Italy, Basel, Switzerland, Kassel, Munster, and Berlin, Germany (faculty: Dean of Academic Affairs Okwui Enwezor)

-Researched exhibition practices and art education programming for San Francisco Art Institute public programming and SFAI City Studio/ Precollege Program.

2006 Artist/Educator in Residence: de Young Museum

-Conducted tours/designed and led video workshops for classes, teachers, and wider public.

2005-2006 Yerba Buena Center for the Arts Curatorial Assistant

-Organized educational interfaces/workshops between exhibition, local art colleges, and Bay Area high school classes.

-Reviewed exhibition applications and conducted artist research for future exhibitions.

2005 Gallery Host Program, Yerba Buena Center for the Arts

-Conducted tours/curriculum design of Bay Area Now 4 for classes and teachers.

2002-2003 Worlds In Collision Project, University of San Francisco

-Designed curricular models for Filipino American Art History course at University of San Francisco (taught by Carlos Villa), University of the Philippines, and online research content.